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Monday, February 27, 2023
How to do the "free transform" in Motion … - Apple Community. Apple motion 5 additional content free
Apple motion 5 additional content free.Final Cut Pro - Motion - Apple
Work directly with third-party applications through workflow extensions. Learn more. Unleash your creative potential with the Pro Apps Bundle for qualifying college students, teachers, and education institutions. Get all five professional applications for video and music creation at a special price — including Final Cut Pro, Motion, and Compressor, along with Logic Pro and MainStage.
Buy now. Final Cut Pro. Free Trial Free Trial. Buy Final Cut Pro. Motion Simply special effects. Object tracking made easier. Motion uses machine learning to easily track faces and objects in your scene. Use the Match Move behavior to mirror their movement and add emitters, replicators, text, and shapes to produce realistic results. Add cinematic flair. After the fact. Create amazing depth-of-field effects with footage shot in Cinematic mode on iPhone.
Adjust the depth-of-field effect instantly using a slider, or use behaviors and keyframes to animate it over time. Your graphics in Motion. Interface Effects Templates Ecosystem Performance. Neon Filter Add an eye-catching glow to any image, shape, or text element with the Neon Filter.
One of them is Record Animation. Notice that it's color coated, allowing us to see what category it belongs to under Command List. Let's remap our keyboard to reflect that in Motion.
Click on the Record Animation field in the No Modifier column and drag it out of the box until you see a puff of smoke; now release your mouse. In the Command List , choose Tools. Now, click Save. Test out your newly-mapped keyboard by hitting T to activate the Text tool followed by A to jump back to the Edit tool. The Looking under the hood — key preferences for your workflows recipe. Like Final Cut Pro X, Motion 5 has a number of preferences we can change to modify the way it works from its default settings.
Let's look at a few key preferences we can change which may be able to assist us in our workflows. Navigate to the Content folder near the bottom. The following screenshot shows the AquaBall image being added to the tenth frame in the mini-Timeline:. There are two default preferences at play here that we should be aware of. The first is that when you import a layer into Motion, it will always get added at the playhead position.
When you're first starting to use the application, this can be very frustrating. Second, this was a still image and, by default, if you drag it 10 frames to the left, you'll notice it matches the length of the project. Let's change this now.
Select the AquaBall image in the Layers tab and press Delete. Go to the Motion menu and choose Preferences. Click on the Project tab. Set Default Layer Duration to Use custom duration and set the length to one second. Set Create Layers at to Start of project. Let's close the preference window. With your playhead still at 10 frames and the AquaBall visible in the Library tab, apply it to the project again.
Notice its length and where it gets added, as shown here:. Go back to Motion Preferences and change back the preferences to their defaults. We've only scratched the surface of some of the preferences available to us in Motion.
Go back to the Preferences menu and get more familiar with some of the other preferences under the different tabs. For instance, under the Canvas tab, the grid and ruler controls refer to items we can turn on under our View menu View Show Rulers and View Overlays Show Grid to help us align objects in the Canvas. Sometimes, it is beneficial to be able to grab a group of stills and have them sequentially laid out in the Timeline with the click of a button.
This recipe explains how we can set up our preferences and select multiple photos and perform this recipe in a flash. Launch Motion. Choose Open. Change Default Layer Duration to Use custom duration and set the length to one second. Close Preferences. Turn off the Collapse Image Sequences icon on the lower-right corner of the File Browser so you can see all the photos. You should see 20 photos displayed; change from icon view to list view, as shown in the following screenshot:. Make sure your playhead is on the first frame of the project.
Drag the photos into the Timeline and try to align it with your playhead while holding down the Shift key. Wait for the pop-up window, and choose Sequential , as shown here:. Drag upward between the Timeline and the Canvas to get a better view of the Timeline:. Change the Layer view in the Timeline from Small to Mini to fit more layers on screen, as shown here.
Scroll down on the right-hand side to see more of them. Notice how every second a photo appears until the project ends. At the start of this recipe, we chose to turn off Collapse Image Sequences when bringing in our photos. What happened is because some photos were named sequentially, Motion flagged this and thought we wanted to treat it as an image sequence.
In the later chapters, we'll see how image sequences can be extremely useful in Particles and Replicator cells. Using an image sequence in a particle emitter , Chapter 7 , Let's Make Particles. In some of the previous recipes, you may have seen that the Layers tab can become a very busy place. It's important as Motion graphic designers to feel comfortable where we're working. Let's look at a few tricks we can use to manage our Layers tab as we work in Motion. Under Composition , select the Pulse category and choose Pulse — Open.
Click Open a copy. The project has three groups comprising of various elements from the project. Let's play back the project to get a feel for it. Press the Space bar. This project consists of four different views of our animating circles and pulses. Let's look at this project a bit deeper. Go to the beginning of the project. Click the disclosure triangle for the Text Elements group, as shown in the following screenshot. Notice how the group is slightly less highlighted than the Camera Light Graphics and Background Elements groups.
This indicates that at the current frame, this group doesn't exist. We get further confirmation of this by looking in our mini-Timeline and seeing the Text Elements group start a lot later. Notice how the group now becomes highlighted but the Subtitle layer does not, as shown in the following screenshot:. Drag your playhead forward until you see the word Subtitle onscreen or go to frame Notice it's now highlighted. Hit the disclosure triangle for the Subtitle group. Notice that there is a Sequence Text behavior on the text.
We will be going in depth with behaviors in Chapter 3 , Making It Move with Behaviors , but right now think of it as what's causing the text to animate in. Sometimes when we add filters, masks, and behaviors to clips, our workspace in the Layers tab can get cluttered. We can easily turn off the visibility of these filters, behaviors, and masks at the bottom of the Layers tab.
Press the gear icon shown in the following screenshot and notice how the Sequence Text disappears. Press it again so you can see it. When we work, it's also advantageous to solo elements in the project. It allows us to focus our work rather than worry about hundreds of items. To see the layers in the Text Elements group by themselves, select it and click the square within the rectangle icon. Notice how the graphic disappears and the text moves slightly to the side.
Click it again to unsolo it. Notice there are four scenes in this group that correspond to the four circle and pulse animations that take place over time. Get a feel for when each scene starts and stops by looking in the Layers tab and in the mini-Timeline for when a group is highlighted.
Twirl open scenes four through one by clicking the disclosure triangle for each of them. This may cause some of the layers to go outside the view, and in order to see them you have to scroll. Instead, click the icon at the bottom-left of the Layers tab with the little head on it. Drag the slider to your right to resize the layers. Changing the text format in Chapter 5 , Let's Make Text. Just about anything you can do in AE you can do in Motion I duplicated the 5-sided star for the red outline and used a filled version for the shape-mask applied to the Checkerboard drag and drop the filled star onto the checkerboard to apply it as a mask.
So, for the layer order, at the bottom I have the Checkerboard with the shape mask and the 5-sided star with the red outline only on top. All of these items exist in a Group. I selected the Group and selected the Group inspector. I set Fixed Resolution and adjusted the width and height to just fit the points of the shape.
When you select the Distort tool, you will notice it has absolutely NO effect on this Now, the bounding box of the 2D Fixed Resolution group will be used for the Distort a. To help with "softness" issues, start with a larger object and scale down the clone layer object While I'm thinking about it -- any animation you apply to any of the objects within the original group will appear in real time in the Clone - it is not a fixed object.
App itself is good but the glitches are what make it bad. Video often gets stuck on the first frame and if I import a video above 15 minutes or so it just won't load the rest of the video. Just a black screen. Audio is often out of sync with the video. Fix the glitches and it would be a great app. The module is perfect for all content creators, professionals, and amateurs alike.
This template pack will give your next title card a smoking hot look. This pack gives you six creative ways to do your title sequences in Final Cut Pro and Motion 5.
Quick, easy, and fully customizable, any of these six templates will make your title cards look great. Easily mix, match, and customize your choice of background animations with this template. This resource gives you a wide range of added features for Final cut Pro and Motion 5.
It makes split-screen effects easy to do, adds excellent transitions between scenes, and allows you to incorporate several different generators. Effortlessly create your own corporate intros, from logo animation to text animations.
The template includes 11 placeholders for text, eight video placeholders, and that crucial logo placeholder.
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